(Woodrose, snakes & ladders, Freak Music,
1996-1997
By Summer of 1996 we (Narcotic Effect) had auditioned a couple of bass players, put up ads, all for naught. So Pete suggested we put together a trio, play out and find a bassist for our “real group.” Of course in retrospect this was a really daft idea. And The Roy Hinkley Trio was born (Pete as Professor Roy on guitar and vocal, Greg as Ginger Grant on drums and myself as Skipper Jonas Grumby on bass and backing vocals.) The names were characters from the 60's TV show Gilligan's Island. We put together a three song demo, got some great reviews and ol' Pete became obsessed with this project, writing umpteen billion songs (as was his habit.) And so it went. We recorded an album in one day (not joking) called Coconuts And Fish. Played a bunch of gigs (Eco Village, Espresso Bar) in Worcester. I was miserable. This not being what I signed on for and realizing Narcotic Effect was terminated, in May 1997 I announced was leaving the The RHT. There were other reasons that I quit, but that was the clincher. The final ledger: one demo, great reviews, two and half albums and one nervous breakdown. Pete would become an Evangelical Christian. Greg and I would jump start our musical partnership as Zen Bastards. |
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Also this guy started hanging around. Charlie became integrated into our studio collective. More on this amazing soul here. Charlie Kent |
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Summer/Fall 1997
Pete wanted to make an album showcasing Bret Hart's singing and songwriting. He assembled a crew of musicians, Paula Zolli, Ed Barnett, Julian Russell, Bob Jordan, Keith Prescott, Jeff Prescott, Greg and myself. Peter produced what might be one of the best records to come out of Toad Hall, Duck or Mask. At some point we started to referring the core of this session crew as The Unusual Suspects. This cadre would go on to make additional records for Bret, Derrick Tie, Tina Hart (Bret's wife) Pete, Julian Russell and myself. Pete also made his solo album, Letters to Aslan, celebrating his conversion. |