The Official History of Instant Dogma

(Woodrose, snakes & ladders, Freak Music,
Punk Rock Treehouse and everything else.)

1990-1993

              

2 A Street





Larry Cugini

Go here to check out
a song by Black Box
1991 Douglas/NML
(Crashing Through The Warning Signs)
  

   On January 1st, 1990, we were officially moved into 2 A St, Apt 1.
For the next few months we would be prepping the apt,
cleaning up after the asshole tenants who moved in, and building
a new recording facility. By the summer Nemesis Music Lab- Douglas
was complete, thanks to this feller (Jim Van Wie)
He was a musician friend and apprentice carpenter.



We set about recording demos and trying to
figure out our next move. There was also a lot of social activity
and jamming going on, with friends and former band mates.


Roundabout late November 1990, Greg brought Larry Cugini
by the studio. We jammed, dug it and started rehearsing.
The plan was to get a singer and then start gigging.
We tracked nine tunes for a demo.

Due to economic issues the project dissolved.

Here are the nine songs plus two extended jams

1991 – 1992
(Heading Toward The Cliff)
                                     
Craig Znamierowski and I formed a William Burroughs
appreciation society. And so I went through an Agent Lee phase
and recorded a bunch of experimental stuff with Greg.

We were also cutting four track demos, for a group
we had planned to assemble called Sex Machine.

In all, between 1990 and 1993/Zen Bastards, Freak Music
and so forth, we recorded about eight to ten albums
worth of material (mostly songs about self loathing,
impending doom and faithlessness.*)
On average, it was about a song a week, when other artists
weren't in the studio. 

Andrea Cifizzari was also hanging out and recording with us.
We tracked two albums worth of stuff together.
Go here
 
*prophesy



Craig Znamierowski


Andrea Cifizzari



Console mix for Sacrifice
1993 Part 1
(Critical Mass)

Things were getting somewhat weird with Cathi.
She was not coming home after work, drinking a lot.
 I was getting weird stories, from friends that knew us both.
I was in denial as to the severity of the situation.
All in all, things were getting pretty messed up.


Greg and I went back to recording on eight track
and I was working to try to make these recordings sound complete.
 Dave Smith loaned me a book, by Wayne Wadhams,
on recording and it was an epiphany. There were a lot of concepts
I had not grasped up until then.

Two discs worth of these recordings are here  

I planned to make a finished album based on my new skills.
But things were about to change radically.



1993 - 1994

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